#Amusing read

[chirrups]

my favorite nonsense headcanon: winners get silly little marks like in warrior cats

for extra drama: the previous winner gets to decide where the next one's mark goes

[aeonvy]

silly doodle i did this morning to test out a stylus pen that a friend of mine let me borrow

[write-the-room]

Andrew's humour is so underrated bc how did everyone move on from "is your learning curve a horizontal line" that quickly

[lurukifennecfox]

Paulina was walking home from her little self-care date~ when she noticed a familiar figure, she slowed, double checked to make sure it wasn't some random civilian, grinned and-

threw her knife!

Wes caught it, because of course he did cautious bastard. And yes she realises this now that fighting on the street was not the smartest move but it was a long time since she saw her friends from Amity and they got along fairly well with Weston.

So they had a good time, she managed to nip him on the cheek with her knife (after taking it back) he left her with a new bruise (it will be gone by tomorrow noon) and then they were both taken in by the police...

And now she has to explain why she did what she did to the GCPD and Ancients help probably Batman as soon as she gets back to her apartment. Who could've guessed that having a friendly brawl would be so taboo in Gotham? (who is she kidding of course it's suspicious it looked like they were trying to kill each other to any normal person!)

and she's not sure how much she should say!

[aceredshirt13]

if there's one thing about classic literary detectives it's that they are not conventionally attractive. doyle told sidney paget to stop drawing holmes so pretty. christie was like "let me introduce you to this short pudgy balding man who is retirement age and i hate him." sayers compares wimsey to maggots on literally the FIRST PAGE

i love it. i love them. stop casting hot people in these roles. we need our detectives to be Charmingly Weird-Looking

[questionableadvice]

~ Popular Amusements, by Rev. J. T. Crane, 1869

Rev. Crane goes on to tell us how novel reading leads to day-dreaming, "excitement of the passions" and leaves a person "unfit for real life". At one point he even compares it to an opium addiction.

Unfortunately for the Rev. Jonathan Townley Crane, professional disapprover of fiction, his son Stephen Crane grew up to write "The Red Badge of Courage" which is now considered one of the great American novels. Life can be ironic that way.

[calware]

classpect being one of the sburb mechanics that's desperately held onto unlike any of the other mechanics doesn't make a lot of sense to me. i think it makes sense that it sticks around longer than anything else but i feel like the natural progression is for characters to evolve and grow past(above?) it. or at least have it be a much more figurative(?) device than a literal one. i think i once made the comparison that it's an eggshell that they incubate in and eventually hatch out of. acting like it's gotta be this hard and fast thing feels so limiting & against what the rest of the story is about. homestuck isn't a story about sburb mechanics; sburb itself is just a framework for the deeper themes and messages. & when so much of the themes revolve around rejecting assigned roles and being able to grow & change it does not make sense to be bound to the strict boundaries of "x of y" forever. and this is not to say "well in 50 years roxy could lose her void powers or become a thief of time or whatever" roxy is always going to be some degree of "voidy" i just don't see the logic in going "well this is what it means to be a rogue so roxy should act like this" "this is what void means so this is what roxy is going to do here" etc

[reading-the-dragon-book]

The idea that Melgren is hoping for a baby from Xaden and Violet is both disgusting and hilarious.

Melgren: I hate them both so much.

Melgren: I wonder if it will be a boy or a girl 😍

[bunnieswithknives]

The soul of Wicked is randomly inventing extremely elaborate relationships between characters who barely interact at all in canon. Also Fiyero is here.

[dearmyloveleys]

I absolutely cannot believe shenyuan still didn’t know what the fuck was going on with lbh when he

1) was half naked

2) was half naked with the not naked part soaked through with water

3) he said this

4) he said this

You’re half naked. Violated young maiden. Her boyfriend. Classic bad trope. Shenyuan you’re already thinking it 1+1=2

[anendtopursuit]

i like to imagine that somewhere in kent, england, there's another kryptonian named clark kansas

[alizalayne]

it's so amusing that when you're an author who is like any minority, you have this caveat where if your book gets banned, you kinda have to mentally acknowledge whether it was banned by Bruce, the one really bigoted guy who wastes everyone's time in florida. idk how bruce is doing. you don't need to learn who he is really which is why im not using his surname. but if you have a book out commercially, bruce has probably written "damaged souls" on a form about you. so there's a street cred element to all this like did people really have a vendetta against your work...? or was it just bruce again

[jgnico]

Is someone gonna talk about the use of signage in yesterday's episode? Do I have to be the one to talk about the use of signage in yesterday's episode?

I know we all saw the billboard beside Choso displaying the abilities of his technique in tandem with the narrator, but there were so many more great uses of the signs in the background to convey information.

The first sign (and also one of the first shots) that we see in the episode is a Pedestrian Do Not Cross sign overlaid by the sound of Yuuji running, followed by Yuuji's shadow itself taking up the position of the pedestrian on the sign. You can read this as the sign telling Yuuji not to proceed to where he's going or as an indication of how the upcoming fight will end for the viewer.

The next sign that we get is one telling us to Go Left, which doesn't really seem important, but I promise you, it is. We'll see a lot of arrows pointing left throughout the episode and every single one of them is pointing away from danger. Go Left to avoid danger, essentially.

These two signs are arguably the most important in the episode, but they aren't the coolest use of visual symbolism that we got, so lets keep going.

The third sign that we see focused on in the episode is a No Running sign that Yuuji passes that says "Do Not Rush. It Is Dangerous." Yuuji, of course, runs past it on his way toward the escalators that lead (for him) to Gojo and (for the viewer) to Choso.

Once he does get to the bottom of the escalators, Yuuji is attacked by Choso immediately and Choso's opening move (Convergence), once Yuuji moves his arms up and away from his face, slices up through the subway cieling and the road above to cut the Pedestrian Do Not Cross sign that we saw at the beginning of the episode in half.

We also get out first big Left Arrow, placed immediately in the foreground of the shot and pointing toward the aforementioned sign that's been cut in half (this will be important later), but in a another view, it also points away from station itself. Again, go left to avoid danger.

Our next Left Arrow is on the ceiling between Yuuji, indicating that he should go away from Choso. Interestingly enough, it also points toward the bathrooms that Yuuji will go into later once his fight with Choso in the hallway becomes too dangerous.

That same arrow falls to the floor between them once Choso gets mad after Yuuji tells him about Eso and Kechizu crying, this time pointing directly away from Choso.

Another Left Arrow, this time in a more urgent red. We see this once Yuuji realizes that he's in serious danger, that he'll loose if he continues to fight Choso in the hallway. It's also pointing away from the bathrooms and toward the escalators from Yuuji's point of view beside the bathrooms, indicating that he needs to leave the area entirely.

The previous arrow pointing toward the bathrooms as a safe option has been destroyed and Yuuji has taken some serious damage by the time he moves toward them. The bathrooms are no longer safe. Yuuji needs to leave.

This is followed up by the only Right Arrows that we see focused on in the epsiode, but unlike the Left Arrows, they aren't used to convey how to get away from danger, but rather what is dangerous. Not only do these arrows all point toward Choso outside of the shot, they also have each of his techniques displayed below them.

Once the bathroom fight is over and Yuuji is on death's door, we get a zoomed out shot of his body framed by (two) people cut in half. This sign is shown right before Sukuna makes his only appearance in the episode, where we hear the sound of electricity flickering.

We heard this exact sound earlier from the Left Arrow telling Yuuji to get away from Choso at the beginning of the fight, but I like to interpret it as an audio indicator of Yuuji's life and/or control of Sukuna flickering in and out, becoming weaker.

Side Note: In the previous shot of Yuuji that we get before this one, we see a blade of light cutting Yuuji in half, the same way Convergence cut the Pedestrian Do Not Cross sign in half earlier in the episode. This will come into play later in the post, but keep it in mind.

The next time we see these bisected bathroom signs is when Mimiko and Nanako approach Yuuji to awaken Sukuna. Two people framing Yuuji/Sukuna that have been cut, while those same signs are whole in the hallway to the left. Go left to avoid danger applies to the girls here as well.

Our next important set of signs are actually the same sign, a large green arrow in the foreground that points away from where Yuuji's body is. While Choso stumbles away from it (away from Yuuji/Sukuna) the girls walk toward it.

This is also the first Left Arrow that we see point toward Choso, unlike the one pointing away from him at the beginning of his and Yuuji's fight. Choso, at this moment and onward, is no longer a source of danger to Yuuji or to us, the viewer.

And finally, the final shot of the entire episode, our old friend, the Pedestrian Do Not Cross sign. Yuuji has lost to Choso, the girls have found him to awaken Sukuna, and we get a focus shot of the Pedestrian that previously represented Yuuji cut in half and covered in blood.

I mentioned earlier that we get another shot of Yuuji cut in half by a ray of light in the bathroom.

Here is that shot, and the way that I interpret it is as a reminder that Yuuji shares his body. Yuuji's control of his body has been cut off in the same way that the Pedestrian representing Yuuji has had part of it cut away. What's left is the part that Yuuji can't control, the Pedestrian covered in blood.

Additionally, repeated use of a sign showing pedestrians cut in half and bloody can also represent the civilians in Shibuya, especially now that Yuuji no longer has control of his body.

[ddarker-dreams]

you can always tell when you mispronounced a word because chrollo gets this 🤓👆energy until he’s able to gently correct you

[justaz]

arthur being able to feel merlins magic whenever he uses it bc it makes him feel all warm and tingly and at first he's stumped about it and goes to morgana for advice bc hello?? merlin makes him feel weird?? and its only merlin. it only happens when he's around. it's gotta be his fault. and morgana is like "lol nerd you like him" and he's like "oh fuck" bc he has the emotional intelligence of a walnut and begins to notice the warm and fuzzy feeling grows stronger the closer merlin is and is like "welp. im screwed" and then a magic reveal later and arthur notices the feeling happens whenever merlin uses magic and he's like "oh. thank god." and finally realizes the feeling was merlin's magic, not that arthur has feelings for him. it becomes the new norm and then merlin is dressing him for the day and makes a stupid joke before ducking arthur's hand that was going to cuff his ear, he laughs and walked around behind arthur and the warm, fuzzy feeling returns and he's like "stop. no cheating." and merlin is confused and arthur's like "i can feel you using magic, idiot. remember?" and merlin is like "i'm not using magic tho" and arthur scoffs like "alright, sure, whatever you say."

THIS becomes the new norm of merlin and arthur bantering and then arthur accusing him of using magic and merlin insisting that he isn't. then finally the feeling happens when merlin is staring directly at arthur, comforting him in a moment of vulnerability, and arthur can see his eyes remain blue but he feels as he normally does when merlin uses magic. he still accuses merlin of using magic but merlin just rolls his eyes and once again insists that he isn't, arthur can literally see when he uses magic bc his eyes flash gold. did they flash gold just now? hm? did they arthur? arthur then rebuts "then why did i feel all warm and fuzzy?" and merlin blinks thrice before grinning like the cat who caught the canary. he won't tell arthur about his feelings for merlin, he'll let him flounder for a bit. it's always fun to watch him be an idiot and as much as he wants to kiss his stupid face bc finally (finally) his feelings are reciprocated, it's enough for now to know that arthur feels the same. arthur is infuriated that merlin won't tell him. merlin is highly amused at his stupid not yet boyfriend

[ineffablyruined]

I need to talk about this exchange:

Look at Aziraphale's face and tell me if he was actually talking about real, honest-to-somebody oysters.

That first little 😳 face of his? To me, that screams, "Did this demon just tell me he's never had sex?" Then he flicks his eyes up Crowley's whole body and his microexpressions seem to say, "Oh, dear Lord, he thinks I'm talking about actual oysters."

And then this pretty little angel who just propositioned a demon is probably internally panicking about needing to find actual oysters now because there's no way he can take this virgin to the Roman orgy like he was planning.

And Crowley is over here just as clueless as always.

Credit to @dailyineffablehusbands for the gifs